Cornelia Parker and Tilda Swinton, The Maybe (Detail), 1995,
Courtesy the artist & Frith Street Gallery, London
Great readings for art theory addicts:
Women Artists at the Millennium
Carol Armstrong (Editor), Catherine De Zegher (Editor)
Difference and Excess in Contemporary Art: The Visibility of Women's Practice
Gillian Perry (Editor)
Women Artists at the Millennium
Carol Armstrong (Editor), Catherine De Zegher (Editor)
Difference and Excess in Contemporary Art: The Visibility of Women's Practice
Gillian Perry (Editor)
comments will be posted as the reading process progresses. To give a hint I just want to say: its all about asking questions - .
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