2006 marks the 100th anniversary of the death of Henrik Ibsen. And we should therefore ask: Why is Ibsen still important? Right now the best arguments seems to come from feminist theorists like Toril Moi. While waiting for her book: Henrik Ibsen and the Birth of Modernism: Art, Theater, and Philosophy, we can spend some time with the latest NIKK magasin which focuses on gender analyses of his plays.
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I wonder how Henrik Ibsen (or Toril Moi for that matter) would feel about cheer leading? Check out femiknits or the Olympic Village for further reference...
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